Metal Planet Distortion Stomp Box – Rocktron – Technology for Guitarists

Metal Planet Distortion Stomp Box – Rocktron – Technology for Guitarists

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Metal Planet Distortion
Need metal? Take a ride on Rocktron’s high octane Metal Planet distortion pedal.

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Equipped with a 4 band EQ specifically designed for guitar distortion with separate level and distortion controls, the Metal Planet delivers the goods! The mid-frequency sweep allows for a wide range of tones from scooped heavy metal tones to more modern rock tones.This pedal is not for the timid at heart – be ready for a heavy metal distortion unmatched by other pedals. The Level control adjusts the overall output of the distorted sound. The Low control adjusts the low-end frequencies and the High control adjusts the high-end frequencies. Middle control adjusts the mid frequencies bite of the distorted sound, while the Middle Frequency control adjusts the actual midrange EQ sweep. Use the Distortion control to adjust the amount of distortion in the signal.Rock as hard as you want with Metal Planet. Housed in Rocktron’s rugged road worthy extruded aluminum chassis, this pedal will stand up to the abuses of time and road wear and tear. The easy-access battery compartment makes changing batteries during a gig a breeze. And check out the super bright blue LED that tells you when the pedal hits the metal!! Very cool!If metal’s your thing, this may be the stomp you’ve been looking for.

Metal Planet Distortion Demo With Gary Hoey

Metal Planet Audio Sample

Specifications
Maximum Input: +10dBuInput Impedance: 1M ohmCurrent Consumption: 35maPower Requirements: 9VDC <=300ma

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HUSH Ultra Guitar Noise Reduction – Rocktron – Technology for Guitarists

HUSH Ultra Guitar Noise Reduction – Rocktron – Technology for Guitarists

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HUSH Ultra
The HUSH® Ultra is the ultimate noise reducing, eliminating and exterminating processor. This MIDI controllable version of our famous HUSH noise reduction allows you to create your own presets for silencing various gear and different settings within that gear.

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The HUSH Ultra’s innovative digital stereo noise exterminator provides two channels of the same world renowned professional noise reduction patented by Rocktron and used for years in thousands and thousands of guitar rigs and recording studios!The HUSH Ultra features True Bypass, an LCD display and programmable presets with MIDI control allowing you to tailor your HUSH settings on individual presets to suit your needs. The HUSH Ultra provides BOTH 1/4” and XLR inputs and outputs, and is easy to setup and easy to use.Wipe out noise, eliminate hiss, crackle and other noise problems with the very best noise reduction circuitry available today! 

Specifications
Maximum Input Level – +15dB (+4 Ref.) +5dB (-10dB Ref.)Input Impedance 1/4″ Jacks – 470K OhmsOutput Impedance 1/4 Jacks – 100 OhmsInput Impedance XLR Jacks – 10k OhmsOutput Impedance XLR Jacks – 2.2k OhmsEffective Noise Reduction – up to 72dBFrequency Response – ±.5dB, 10Hz – 27kHzDynamic Range – 105dBNoise Floor – -100dBuTHD + Noise – .041% @ 0dBu, 1kHz (typ)Current Consumption – 405mADimensions – 19″ x 4″ x 1¾”Power – 9vac 2000mA

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Silver Dragon

Silver Dragon

Silver Dragon

Journey into
a land where distortion rules, and the opportunity to
slay the dragon will allow you to reap incredible tonal
rewards! Rocktron’s Silver Dragon is a unique
distortion unit that combines the best of both worlds
– tube and analog solid state distortion! For that
tube sound you love, the Silver Dragon rams a 12AX7. Here
is where you AWAKEN the beast and drive the tube sound.

Yes, the
control is actually called “Awaken”. SHREIK
controls the treble while ROAR provides low end control.
FIRE handles the initial distortion drive level of the 12AX7.The
second made, called SLAYER, features a mixed-in
combination of the 12AX7 distortion with the solid state
distortion driving the tube together.

Slayer
INTENSITY changes the character, sustain and attack
properties, which together enhance articulation. BREATH
control is for the symmetry of the solid state distortion
which affects the “feel” of the distortion.
Output level control is also provided.

You’ll be hard pressed to find a better
distortion device than the Silver Dragon, and you’ll
have the ability to cross over into both worlds –
tube and solid state. This is a unique stomp box format
that utilizes a 13-Volt AC adaptor to drive the beast.
The Silver Dragon allows you to have three modes –
Clean, Crunch and Lead. Hints and tips provided in the
instruction manual help you take advantage of the wide
range of voicings, and define “character” and
“feel” found in many expensive tube amplifiers

For that tube
sound you love, the Silver Dragon rams a 12AX7. Here is
where you AWAKEN the beast and drive the tube sound.

To find out more, check the Silver Dragon instruction
manual found in the SUPPORT section of our website.

Product Review

Product Review

Rocktron Banshee Amplified
Talkbox
from Guitar Shop Magazine, July 1997
by Jeff Vanda

Just think of the talkbox’s incredible legacy: Jeff Beck’s “She’s A Woman,” Peter Frampton’s hit “Show Me The Way,” Joe Walsh on “Rocky Mountain Way,” Joe Perry in “Sweet Emotion,” plus various tracks by Steely Dan (“Haitian Divorce”), and Bon Jovi (“Livin’ On A Prayer”). After its ’70s heyday, the effect largely disappeared, but today, with the retro-revival bringing back every effect known to mankind, the return of the fuzzy, throaty talkbox is a reality. Rocktron has taken it upon itself to be the new harbinger of voice-box mania with their Banshee pedal.

The concept behind the talkbox is so elegantly simple, it’s ridiculous. Picture being able to stick your amp’s speaker into your mouth and then manipulate the tone with all sorts of cheek and jaw movements (when they say that talkboxes have a “throaty” sound, they ain’t kidding). Essentially, a talkbox has a horn driver in its guts that shoots that fuzzed-out “talkbox” sound up a plastic tube, which the player has taped next to a microphone on a stand. Then, as you make all sorts of weird sounds out of the speaker noises in your mouth, the mic picks up the talkbox sounds and it comes out of the PA. Better yet, the effect of basically having a speaker in your skull makes one’s head shake like you’re on the bridge of the Enterprise and the Klingons have suddenly attacked. Clearly, the talkbox is a weird, but brilliant idea.

Rocktron goes one step further by improving on the setup problems of old boxes. In ye olde days, the unit had to go between an amp head and speaker cabinet, creating all sorts of A/B cabling headaches. But, like the ancient Electro-Harmonix Deluxe Golden Throat, the Banshee gets hooked up just like a regular stompbox between your guitar and amp. Just plug in as usual and then run the tube up to your microphone. Even cooler is that you could even use it as a tiny 5-watt amp head, since there’s an 8-ohm speaker-out jack that will run a small cabinet. Use it for practicing or recording (but don’t run it into another amp or effects loop, since there is real speaker-level voltage here and it could do internal damage, just as any amp would). The Banshee may look tiny, but it’s still a real amp, which may account for its sturdy price tag. But I think that amount is more than made up for by its super-convenient setup. By the way, it’s also encased in a heavy-duty metal shell, which will make it more than durable enough for roadwork. Weighs a ton, too.

How does it sound? In a word, great. I hooked it up using a Crate amp for the guitar and a small PA for the microphone. Powered by a 9-volt adaptor, the Banshee worked perfectly, creating that classic, nasty fuzz that is steeped in rich midrange flavors. The Banshee has three knobs on it (Gain, Tone, Output), but their effect is rather modest. Really, once you step on the heavy-duty footswitch, the unit is simply on and there’s not too much you can do to alter it other than through mouth movement on the tube. Fortunately, the sound is incredibly punchy, and you’ll have a blast experimenting with the new “oral” effects. Use it for background textures, solos, or “talk” to your audiences, like Frampton did on the live version of “Do You Feel Like We Do.” Believe me, after you play around with the Banshee for a while, your wah-wah pedal will start to look like a rusty old Model T. Plus, can a wah make your teeth rattle like you’ve got a 4×12 cab in your mouth? I think not.

Article edited for the Web

Rocktron – Velocity 300

Rocktron – Velocity 300

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Velocity 300

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Buy the Velocity 300 from an online dealer. Select below to purchase!

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Rocktron has been designing power amplifiers specifically for guitar players since the early 1990’s. The Velocity 300 is the latest in our line of Velocity power amps. 

The Velocity 300 provides 150 watts/channel when used in stereo applications or 300 watts mono bridged into a 8 ohm load!

The Velocity 300 has a unique “Reactance” circuit that actually replicates the output impedance of tube amplifiers—so you can get the same great sound that a tube amplifier delivers in a reliable solid state design. And, because it is a variable control, you can customize your Velocity 300 to sound like any of your favorite tube amps. Best of all, this feature is available in the mono bridged mode too!

In addition, the Velocity 300 has “Definition” controls to give you that little bit of edge you need to bring your playing out in the mix. It also has automatic short circuit protection, which detects problems and shuts down the amplifier before any internal damage can be done.

Other Features:

• 115/230 VAC voltage selector switch.
• An AC power detect circuit, which ensures that the amplifier outputs shut down first when AC is removed. This will guard against any thumps or pops that could otherwise occur, potentially damaging speakers when power is cut to the amplifier.
• Differential input buffers to eliminate ground loop hum coming from the power amp 

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Rocktron MIDI MATE Manual

Rocktron MIDI MATE Manual

MIDI MATE™Footswitchable MIDI ControllerVersion 2USER’S MANUAL
Copyright © 1993 Rocktron Corporation. All Rights Reserved.

PRECAUTIONS…

NOTE: IT IS VERY IMPORTANT THAT YOU READ THIS SECTION TO PROVIDE YEARS OF
TROUBLE FREE USE. THIS UNIT REQUIRES CAREFUL HANDLING.

All warnings on this equipment and in the operating instructions should be adhered to and all
operating instructions should be followed.

Do not use this equipment near water. Care should be taken so that objects do not fall and
liquids are not spilled into the unit through any openings.

DO NOT ATTEMPT TO SERVICE THIS EQUIPMENT. THIS EQUIPMENT SHOULD BE SERVICED
BY QUALIFIED SERVICE PERSONNEL ONLY. DO NOT REMOVE THE COVER FROM THIS
EQUIPMENT AT ANY TIME. DO NOT MAKE ANY INTERNAL ADJUSTMENTS OR ADDITIONS TO
THIS EQUIPMENT AT ANY TIME. DO NOT TAMPER WITH INTERNAL ELECTRONIC COMPONENTS AT ANY TIME. FAILURE TO FOLLOW THESE INSTRUCTIONS MAY VOID WARRANTY SERVICE TO THIS EQUIPMENT, AS WELL AS CAUSING SHOCK HAZARD.
POWER REQUIREMENTS…

This unit accepts power from the 9VAC/1500mA adaptor supplied with the unit.
OPERATING TEMPERATURE…

Do not expose this unit to excessive heat. This unit is designed to operate between 32F and
104F (0C and 40C). This unit may not function properly under extreme conditions.

CONTENTS

Introduction

MIDI
MIDI Channel
MIDI Commands

Quick Setup
Features and Operation

Bank Access
Instant Access
Controller Access

Editing the MIDI Mate

Edit Function Select cycle
Title Editing
MIDI Channel Editing
Controller Assignment Editing
Programmable Patch Changes Editing

Factory Reinitialization
Expression Pedal “Y” Cords
MIDI Implementation

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Introduction

Congratulations on your purchase of the Rocktron MIDI Mate™! The MIDI Mate provides many different features and modes of operation. Its modes of operation range from very simple (transmitting a single program change on a single MIDI channel) to complex (such as transmitting six program changes on six separate MIDI channels, five control changes on five separate MIDI channels and a continuous control change on a separate MIDI channel). The MIDI Mate is capable of sending three different kinds of MIDI commands on a specified MIDI channel to any MIDI device.

To use the MIDI Mate to its full potential requires some understanding of MIDI commands and specifications.
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MIDI
MIDI stands for Musical Instrument Digital Interface, and is an industry standard system for communication between musical equipment. Some MIDI devices only transmit MIDI messages, these are called transmitters. There are other MIDI devices which can only receive MIDI messages, these are called receivers. In addition, there are also MIDI devices that both receive and transmit MIDI messages which can be called receivers or transmitters. A receiver may be thought of as a MIDI “ear”, that is to say that it listens but never speaks. A MIDI transmitter may be thought of as a MIDI “mouth”, that is to say it speaks, but never listens. A device that can both transmit and receive MIDI may be thought of as having a MIDI “ear” and a MIDI “mouth” that allows it to both listen and speak. A very simple MIDI setup requires only that there be a MIDI transmitter and a MIDI receiver – one to speak and one to listen. More complex MIDI setups may have devices that speak and listen to each other at the same time. The MIDI Mate is a MIDI transmitter, capable of changing parameters on MIDI receivers.
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MIDI Channel
A MIDI channel is simply a way of encoding a command so that multiple devices may talk to each other using the same physical wires. Unless messages are encoded for the same channel, the transmitted message will be ignored by the receiving device. By encoding signals in this manner, the MIDI Mate can tell a particular receiving device to perform a certain task while simultaneously telling a different receiving device to do something else. Each receiving device only acts on the command intended for it.
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MIDI Commands
The most common type of MIDI command is the MIDI program change (often called a patch change). This command is intended to recall the programmed settings of a receiving device. A programmable device, such as the Rocktron Chameleon guitar preamp, may have parameters such as the gain set to 40, the bass level set to 5dB, and the output level set to 10dB. These settings can then be stored in preset #10. Each time the Chameleon receives program change 10, these settings are recalled.

Another type of MIDI command is the MIDI control change. This command is used to set a single parameter on a receiving unit to a specific value. The preset of the receiving device is not changed, only the value of the specified parameter. The specified parameter on the receiving device is mapped to a number called a control number. A transmitting device sending a control change will specify the MIDI channel, the control number, and the value that the specified parameter should change to, or the controller value. The controller value is a number from 0 to 127 that the receiving device attaches to an actual parameter value.

How a device responds to a MIDI control change depends on both the device and the parameter. Some devices will not understand a MIDI control change and will simply ignore it. Other devices, like the Rocktron Chameleon, will respond to MIDI control changes. All of the parameters that determine the sound of the Chameleon can be adjusted through MIDI control changes. A convenient way to perform MIDI control changes on these parameters is to use a continuous controller. An expression pedal, volume pedal, fader, or any potentiometer that can be plugged into the MIDI Mate qualifies as a continuous controller. As the continuous controller resistance is changed, a new controller value is sent to the receiving device. For example, if an expression pedal is plugged into the MIDI Mate, the pedal control number is set to 17, and the Chameleon’s volume level is mapped to control number 17, moving the pedal back and forth causes the output level to change. To achieve this, all that must be done is to match control numbers between the parameter of the receiving device and the pedal of the transmitting device. It is important to remember that the MIDI channels of the transmitting and receiving devices must also match.

The controls on the Rocktron Chameleon can be changed through MIDI control changes as well. Since some controls can have only an on or off status, they are conveniently called on/off
controllers. For on/off controllers, a control change command with a controller value of less than 64 is interpreted to be off. A value greater than 63 is interpreted to be on.
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Quick Setup

To start using the MIDI Mate right away, use a 5 pin MIDI connector and plug one end into the MIDI OUT jack of the MIDI Mate. Plug the other end into the MIDI IN jack of a MIDI receiving device. Plug the adaptor supplied with the MIDI Mate into the POWER jack of the MIDI Mate. Plug the adaptor into a nearby compatible wall socket.
Now assign SET1’s MIDI channel to the same MIDI channel of the device that is receiving MIDI. Press the 2ND button so that the 2ND LED lights. Now press the EDIT FUNCTION SELECT ” ” button twice, until “MIDI Channels” scrolls across the display. Allow the scrolling to finish, and “S1CH 1” will be displayed. This shows that SET1 is assigned to MIDI channel 1. To change the MIDI channel to match a receiving device’s MIDI channel, use the BANK (ADJUST) buttons. When finished, press the 2ND button to turn off the 2ND LED.
Now the MIDI Mate will send the program change displayed by the three character display to any MIDI receiver on the same channel.
Typical Quick Setup:

Quick Setup using a MIDI “Y” cord:

The power cord may be plugged into a special MIDI “Y” cord (Rocktron Part# 006-1097) to power the MIDI Mate through pins 6 and 7 of the MIDI Mate MIDI OUT jack. Rocktron also has a 5 to 5 pin MIDI cable (Part# 001-1107).
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Features and Operation
The MIDI Mate features:

Three modes of operation-

Bank Mode – Allows you to change presets within a bank of ten presets with the touch of a single button.
Instant Mode – Allows you to change instantly from preset 01 to 99 with the touch of two buttons.
Controller Mode – Allows you to change presets within a bank of 5 presets with the touch of a single button, as well as access 5 buttons which can send MIDI on/off control commands with the touch of a single button.

Eight character personal titles for each preset.
Display of current MIDI program.
LED over each button for instant recognition of preset.
Phantom power supply.
Expression pedal ready.
Multiple MIDI program changes on separate MIDI channels.
Multiple MIDI control changes.
User friendly editing procedure.

Basic operating features…

Function of dual function buttons with 2ND L.E.D. off
(This accesses the function printed below each button)

Function of dual function buttons with 2ND L.E.D. on
(This accesses the function above each button)

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BANK ACCESS
(Any program that starts with the same first 2 numbers may be chosen with the touch of a single button)

While in Bank mode (2ND LED off), the user may change presets within the current bank (bank numbers are 0 – 12). For example, the MIDI Mate powers on in bank “0”. By touching a button while the “Rocktron MIDI Mate” message is scrolling, the number of the pressed button will be the MIDI program change sent on its assigned channel. The bank number and the preset number are displayed in the three character numeric display. To change the bank on the MIDI Mate, press the 2ND button until the 2ND LED lights. Now the BANK (ADJUST) ” ” or ” ” button may be pressed to change the bank number. The BANK (ADJUST) ” ” and ” ” buttons may be held down to scroll through the different bank numbers. When the button is released, the selected bank number will flash on and off. At this point button numbers 2 thru 9 may be pressed to send the corresponding MIDI program change. The 2ND LED does not need to be turned off unless preset change 0 or 1 within the chosen bank is desired. This cuts down on the number of buttons needed to be pressed while in the Bank access mode.
To change from bank 0 to 12
(The “Bank” is the first two digits of a three digit program number)

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INSTANT ACCESS

(Changes to any program from 01 to 99 with the touch of 2 buttons)

The Instant mode allows the user to instantly change presets with the touch of two buttons. First be sure the INSTANT LED is lit, and the 2ND LED is off. Now press any combination of two buttons to change to the corresponding program. For example, by pressing button 0 and then button 1, the MIDI Mate™ will transmit program change 1. By pressing the 9 button twice, the MIDI program change 99 will be sent, and so on. The bank ” ” and ” ” function works in the Instant mode the same as it works in the Bank mode, thereby allowing access to presets 100 thru 128 while in the Instant mode.

To change to program 74:

Step 1 – Press the “7” button
Step 2 – Press the “4” button

To change to program 99:

Step 1 – Press the “9” button
Step 2 – Press the “9” button

Back to CONTENTS

CONTROLLER ACCESS
(To send a single MIDI on/off control change command with the touch of a button)

The Controller access mode allows for the use of on/off MIDI control changes. Buttons 5-9 on the MIDI Mate may be assigned to a control number, and when that button is pressed a MIDI control change will be transmitted corresponding to the assigned control number. A common use for this feature is to have direct remote control over another device’s parameters without changing presets. For example, the Rocktron ProGAP has MIDI controllable control functions and a loop. If the ProGAP’s loop is set to control number 9, and button 5 on the MIDI Mate is set to control number 9, the ProGAP loop can now be turned on or off by pressing button 5 on the MIDI Mate . This cuts down on the number of presets needed because now presets do not need to be duplicated (for example, one with the loop on and one with the loop off).
The status of the parameter that is being turned on/off by the MlDI Mate is stored by the MlDI Mate also, thereby sending the correct MIDI control change command (on or off) when the program is changed. For every button assigned to a control number, a control change will be sent every time the preset is changed. For example, if buttons 5, 6, 7 and 8 are set to control numbers 11, 12, 13 and 14 respectively, every time a program change is made four MIDI control change commands (control changes 11,12,13,14) would be sent on the corresponding MIDI channels. These four control changes would send the status (on/off) of the controls that were last stored for that preset. To store a controller “On”, make sure that the CONTROLLER Access LED is lit, and that the corresponding MIDI channel is not set to “Off”, then press the button of the assigned control number so that the LED above the button is lit. A lit LED above the button means the controller is on, and an unlit LED above the button means the controller is off. Set the control status for all the assigned buttons in this fashion. For buttons not assigned to a control number, the LED above them will not light. Once all the LEDs are set to represent the correct status (on or off) of all assigned controllers, then this status can be stored with the current preset by first pressing the 2ND button so that the 2ND LED lights. Then press the STORE button. “Stored” will flash briefly on the display showing that the current status has been stored. (This is the only function for the STORE button.)

Buttons 0-4 may be used to change presets while in the Controller access mode. To change preset banks, press the 2ND button so that the 2ND L.E.D. is lit, then press the Bank ” ” or ” ” buttons to select the desired bank. Presets are grouped in banks of 5 in the Controller Access mode. Therefore, if you are currently in bank 55 and button 1 is pressed, preset 56 will be recalled and the L.E.D. above button 1 will be lit. Consider each button# as a value that will be added to the current blinking bank# if pressed.
Button functions in Controller access mode:

Set assigned buttons (see “Controller Assignment Edit” section) and set controller MIDI channel (see “MIDI Channel Edit” section).

L.E.D. “on” sends control ON command (control value of 127).

L.E.D. “off” sends control OFF command (control value of 0).
Storing the current status
(To store the status of on/off buttons in the current program)

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Editing The MIDI Mate

The editing features of the MIDI Mate are designed to be helpful by incorporating scrolling messages and requiring the least number of buttons to press as possible. The MIDI Mate automatically stores the choices that the user makes to make it easier for the user to edit parameters. The STORE button does not store the choices in the editing mode – it has no function in the editing mode. The parameters which can be edited include: titles, MIDI channels, assignable controller numbers and additional patch changes. The MIDI Mate incorporates a unique editing feature using the EDIT PRESET SELECT buttons. These buttons allow the user to change the preset that is being edited without leaving the editing mode.

Anytime that the 2ND LED is lit, the EDIT PRESET SELECT buttons will increment (” “) or decrement (” “) the current preset by one. These buttons may also be held down to scroll through the presets. This feature allows the user to enter the edit mode, do all the editing necessary for all the presets, then exit the edit mode with the least number of buttons pressed. The editing is divided into four sections – “Titles”, “MIDI Channels”, “Controller Assignment” and “Program Changes” – and can be accessed while in any access mode. The editing functions are accessible by pressing the EDIT FUNCTION SELECT ” ” and ” ” buttons. The editing parameters can be adjusted by using the BANK (ADJUST) ” ” and ” ” buttons.

The editing mode may be initiated in any of the access modes by pressing the 2ND button so that the 2ND LED is lit. Then press the EDIT FUNCTION SELECT ” ” button. “Title Edit” will scroll across the display. If the EDIT FUNCTION SELECT ” ” button is pressed a second time before the scrolling is complete, “MIDI Channels” will scroll across the display. If the EDIT FUNCTION SELECT ” ” button is pressed a third time before the scrolling is complete, “Controller Assignment” will scroll across the display. And if the EDIT FUNCTION SELECT ” ” button is pressed a fourth time before the scrolling is complete, “Programmable Patch Changes” will scroll across the display, thereby completing the cycle of all four editing sections.

Continuing to press the EDIT FUNCTION SELECT ” ” button before the scrolling is complete will return the user to “Title Edit”, and continue repeating the four sections.

By pressing the EDIT FUNCTION SELECT ” ” button, the four editing sections will appear in reverse order from that above. The EDIT PRESET SELECT buttons will increment or decrement the preset being edited in any of these four editing sections. To exit the edit mode, press the 2ND button so that the 2ND LED is off, or change the access mode by pressing the ACCESS button. The editing LED will flash as long as the MIDI Mate is in the editing mode.

The EDIT FUNCTION SELECT buttons allow you to scroll through the available function headings for editing. Referring to the figure on the following page, repeatedly pressing the ” ” button will scroll through the function headings in a clockwise fashion, while the ” ” button will scroll counter-clockwise.

To access the menu below each heading, wait for the scrolling of the selected heading to complete. The EDIT FUNCTION SELECT buttons may then be used to scroll through the contents of each menu.

To avoid accessing the menu below a heading and move to the next heading, press the EDIT FUNCTION SELECT button again before the scrolling of the current heading is complete.
Press “2ND” anytime to Exit EDITING
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Title Editing

Enter the editing mode while in any access mode by pressing the 2ND button so that the 2ND LED lights. Now press the Edit Function Select ” ” button so that “Title Edit” scrolls across the display. Allow the scrolling to finish to enter the Title Edit mode. Once the scrolling has finished, the title of the current preset will be displayed with the decimal point of the first character of the title flashing. The bank (adjust) buttons may now be pressed to scroll through the available characters that maybe used in the titles. When a character is selected, the Edit Function Select ” ” button can be pressed to store the character in memory and advance to the next character for editing.
All of the characters in the title mode can be edited in this fashion. The Edit Function Select buttons are used to move the cursor (flashing decimal point) to the character position that you wish to edit. Pressing the Edit Function Select ” ” button will allow the user to edit the character one place to the left of the current character. If the far left character has been edited and editing is complete, the Edit Function Select ” ” button may be pressed to enter the Programmable Patch Changes edit mode. Pressing the Edit Function Select ” ” button allows the next character to the right to be edited. If the far right character has been edited and editing is complete, the Edit Function Select ” ” button may be pressed to enter the MIDI Channels edit mode.
To enter the TITLE EDIT mode:
(The TITLE EDIT mode may be initiated while in any access mode)
Step 1
Press the “2ND” button to turn the 2ND L.E.D. on
Step 2
Press the EDIT FUNCTION SELECT ” ” button (“TITLE EDIT” will scroll across the display).
Wait for the scrolling to finish.

After the scrolling has completed, the title will be displayed with a blinking decimal point next to the first character.
Step 3
Use the ADJUST buttons to select a character.
Step 4
Press the EDIT FUNCTION SELECT ” ” button to advance to the next character position to edit
Step 5
Use the ADJUST buttons to select a character. Repeat this process until all the characters are edited.
Use the EDIT FUNCTION SELECT buttons to move the flashing cursor to the correct character position.
Use the ADJUST buttons to select a character.

Once the editing is completed, the next title may be edited by using the EDIT PRESET SELECT buttons.
Press “2ND” anytime to Exit EDITING
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MIDI Channel Editing

Enter the editing mode by pressing the 2ND button so that the 2ND LED lights while in any access mode. Now press the Edit Function Select ” ” button twice or until “MIDI Channels” scrolls across the display. Allow the scrolling to finish to enter the MIDI channel edit mode. Once the scrolling has finished “S1CH” (SET1 channel) will appear. The MIDI Mate is capable of sending out six different sets of patch changes on six different MIDI channels. Assign the MIDI channel to the same channel as the MIDI devices you wish the first set of patch changes to control.

The MIDI channel may be changed by pressing the BANK (ADJUST) ” ” or ” ” buttons. These buttons may be held down to allow the user to scroll through all the possible MIDI channels. The available MIDI channels for SET1 are 1-16 or OFF. Once SET1’s MIDI channel is assigned, press the Edit Function Select ” ” button to select the MIDI channel you wish to send SET2’s patch changes on. Again, the bank (adjust) ” ” and ” ” buttons allow the user to scroll through the available choices to assign SET2’s MIDI channel to. The possible choices for SET2’s MIDI channel are 1- 16 or off. The MIDI channel for any set can be turned off to suspend transmission of that set’s patch changes.

Once MIDI channels are chosen for all the sets, press the Edit Function Select ” ” button and “B5CH” (“Button 5 MIDI Controller Channel”) will be displayed. This is where you choose the MIDI channel that you wish the MIDI on/off control change commands for button 5 to be sent on. Set this MIDI channel to the same MIDI channel as the MIDI devices you wish to control via MIDI on/off control change commands from button 5. If you don’t want to send MIDI on/off control change commands set the corresponding MIDI Controller Channel to “OFF”. By repeatedly pressing the Edit Function Select ” ” button, the user can assign the MIDI channel you wish the MIDI continuous controller (pedal) to operate on (abbreviated as “PEDC”).

There are a total of 12 MIDI channels the MIDI Mate can operate on (all at the same time): 6 patch change channels, 5 on/off controller channels, and 1 continuous controller channel.
To enter the MIDI CHANNEL EDIT mode:
Step 1
Press the “2ND” button to turn the 2ND L.E.D. on
Step 2
Press the EDIT FUNCTION SELECT ” ” button twice (or until “MIDI CHANNELS” scrolls across the display).
Wait for the scrolling to finish.

After the scrolling has completed, “S1CH” (Set 1 MIDI channel) will appear.
Step 3
Use the ADJUST buttons to select the MIDI channel that Set 1 is to be transmitted on (1-16 or OFF).
Match Set 1’s MIDI channel with the MIDI channel that the receiving device is set to.
Step 4
Press the EDIT FUNCTION SELECT ” ” button to advance to the next channel to edit (Set 2).
Continue to use the BANK (ADJUST) buttons to choose a MIDI channel for each set of additional program changes. The MIDI on/off commands may be assigned to individual MIDI channels. The continuous controller or pedal may be assigned to a MIDI channel also.
Press “2ND” anytime to Exit EDITING
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Controller Assignment Editing

Enter the editing mode by pressing the 2ND button so that the 2ND LED lights in any access mode. Then press the Edit Function Select ” ” button twice or until “Controller Assignment” scrolls across the display. Allow the scrolling to finish to enter the Controller Assignment edit mode. Once the scrolling has finished, “PEDL” will appear. (This is an abbreviation for “pedal”.) In this editing section, the pedal and buttons 5-9 may be assigned a controller number. The pedal should be assigned the controller number that matches the number of the parameter that the pedal is to control. For example, the Rocktron ProGAP’s output level may be mapped to controller number 8. By assigning the MIDI Mate’s pedal to controller 8, the ProGAP’s output level is now controlled by the MIDI Mate’s pedal.
The MIDI Mate’s pedal may be assigned a different control number for each preset. In this way you can control the output level parameter in preset 1, control the treble parameter in preset 2, and control the bass and gain parameters in preset 4 – just by matching control numbers to the parameters you wish to adjust
Buttons 5-9 on the MIDI Mate may also be assigned a control number. These numbers should match a MIDI device’s on/off or in/out parameters. Another example using the Rocktron ProGAP would be to assign the ProGap’s loop function to control number 9, and assign button 5 (abbreviated as “BTN5”) on the MIDI Mate to control number 9. Now by pressing button 5 on the MIDI Mate while in the controller access mode, the ProGap’s loop would switch in and out with the MlDI Mate displaying the current status of the loop by the LED over button 5.
The control numbers for the MIDI Mate buttons are not assignable for each preset. Using the example above of button 5 on the MIDI Mate being assigned to control number 9, regardless of what preset the MIDI Mate changes to, button 5 is still assigned to control number 9 each time the MIDI Mate changes presets. The last stored status of each assigned button is also sent on the corresponding controller MIDI channel.
The MIDI Mate is shipped from the factory with all the button control numbers set to “OFF”. The pedal control number is set to “OFF” for each preset on the MIDI Mate. If a button’s control status for a particular preset should be “ON”, then that status must be stored “ON” for that preset, and for every preset the control is desired “ON”.

Under the “Controller Assignments” heading, the RATE parameter provides a selectable rate at which the MIDI Mate will sample the pedal position and send out control changes. The RATE parameter is adjustable from 1 to 50mS. The value selected determines how often a control change is sent from the MIDI Mate (i.e. “20” = 20 milliseconds, “42” = 42 milliseconds, etc.). The lower the value selected, the faster the transmission. A faster transmission rate may mean a smoother and more accurate response by the device receiving the control changes. However, the rate may need to be slowed down for devices where an error may occur from receiving MIDI messages faster than the device can process them.
To enter the CONTROLLER ASSIGNMENT EDIT mode:
Step 1
Press the “2ND” button to turn the 2ND L.E.D. on.
Step 2
Press the EDIT FUNCTION SELECT ” ” button twice (or until “CONTROLLER ASSIGNMENT” scrolls across the display).
Wait for the scrolling to finish.
After the scrolling has completed, “PEDL” will appear with the control number that the pedal is assigned to. This pedal may be assigned to a different control number for each program. Buttons 5-9 may be assigned to one control number each for all programs.
Step 3
Use the ADJUST buttons to select the desired control number.
Step 4
Press the EDIT FUNCTION SELECT ” ” button to edit the transmission rate of the pedal.
Note:
The EDIT PRESET SELECT buttons may be used to select the desired pedal control number for the next preset.
Continue to use the EDIT FUNCTION SELECT buttons to select which button a control number will be assigned to.
Continue using the BANK (ADJUST) buttons to select the control number for each button.
Press “2ND” anytime to Exit EDITING
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Programmable Patch Changes Editing

Enter the editing mode by pressing the 2ND button so that the 2ND LED lights while in any access mode. Now press the Edit Function Select buttons until “Programmable Patch Changes” scrolls across the display. Allow the scrolling to finish to enter the Programmable Patch Changes edit mode. Once the scrolling has finished, “SET2″ will appear. This is where additional patch changes may be programmed to be sent along with SET1’s patch change. SET1 is the patch change that is displayed by the three character numeric display. SET2 through SET6 are additional patch changes that can be sent along with SET1’s patch change on their assigned MIDI channels.
The number to the right of SET2 is the number of the patch change that will be sent on SET2’s assigned MIDI channel. SET2’s patch change may be changed by pressing the bank (adjust) ” ” and ” ” buttons. By pressing the Edit Function Select ” ” button, the user may access SET3 through SET6’s patch change in the same way.
To enter the PROGRAMMABLE PATCH CHANGES edit mode:
(Programmable Patch Changes are additional program changes that are programmed to be sent along with the current SET1 program change)
Step 1
Press the “2ND” button to turn the 2ND L.E.D. on
Step 2
Press the EDIT FUNCTION SELECT ” ” button once (or until “PROGRAMMABLE PATCH CHANGES” scrolls across the display).
Wait for the scrolling to finish.
After the scrolling has completed, “SET2″ will appear with a number to the right. This number is the program change that will be sent on SET2’s MIDI channel.
Step 3
Use the ADJUST buttons to select the additional program change to be sent.
The program changes are sent on the corresponding MIDI channel while editing.
Step 4
Press the EDIT FUNCTION SELECT ” ” button to advance to SET3 program changes.
Note:
The EDIT PRESET SELECT buttons may be used to select the additional program change for the next preset.
Step 5
Use the BANK (ADJUST) buttons to select the additional program change to be sent on SET3’s MIDI channel.
Step 6
Press the EDIT FUNCTION SELECT ” ” button to advance to SET4 through SET6’s program changes.
Once SET2 through SET6’s changes are assigned for the current program, the next program may be edited using the EDIT PRESET SELECT buttons.
Press “2ND” anytime to Exit EDITING
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Factory Reinitialization

This feature of the MIDI Mate allows for all titles, controller assignments, patch changes, etc. to be reset to their original factory settings. To perform this procedure, follow the steps as shown.

! WARNING !
This procedure will permanently erase all user settings!
To enter the FACTORY REINITIALIZE mode:
Step 1
Recall preset #128
Step 2
Press the ACCESS button to select “CONTROLLER” mode
Step 3
Press the 2ND button to turn the 2ND L.E.D. on.
Step 4
Press the EDIT FUNCTION SELECT ” ” button once. “FACTORY REINITIALIZE” will scroll across the display.
Step 5
* Use the BANK (ADJUST) buttons to set the code number to 244.
* For those upgrading from previous software 1.x versions, a code number of “10” may be entered (instead of 244) to initialize all settings except the user titles.

! WARNING !
Completing step 5 will permanently erase the user memory
and replace it with the original factory memory!
Step 6
Press the STORE button. “WAIT” will be displayed while the memory is being initialized. After it is complete, the message “ERR 0” should be displayed. If this message is not displayed, the memory may not have reinitialized properly.
Step 7
Press the 2ND button to exit the editing mode.
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Expression Pedal “Y” Cords

Click HERE to see a diagram of various expression pedal cables you may use with the MIDI Mate.
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MIDI Implementation
Software Version 2.xO = YES, X = NO

FUNCTION TRANSMITTED RECOGNIZED REMARKS

BASIC DEFAULT 1-16 X MAY BE SAVED IN
CHANNEL CHANGED 1-16 X NON-VOLATILE
MEMORY
DEFAULT X X
MODE MESSAGES X X
ALTERED X X

NOTE
NUMBER TRUE VOICE X X

VELOCITY NOTE ON X X
NOTE OFF X X

AFTER KEY’S X X
TOUCH CHANNEL X X

PITCH BEND X X

CONTROL
CHANGE O X **PEDL = OFF
O X **BTN5 = OFF
O X **BTN6 = OFF
O X •*BTN7 =OFF
O X **BTN8 = OFF
O X **BTN9 = OFF

PROGRAM TRUE O X *PROGRAMS 1-128
CHANGE NUMBER

SYSTEM
EXCLUSIVE X X

SYSTEM SONG POSITION X X
COMMON SONG SELECT X X
TUNE REQUEST X X

SYSTEM CLOCK X X
REAL TIME COMMANDS X X

AUXILIARY LOCAL ON/OFF X X
MESSAGES ALL NOTES OFF X X
ACTIVE SENSING X X
SYSTEM RESET X X

NOTES
* Actual MIDI program value sent is 0=127 (corresponding to presets 1-128).

** The buttons and pedal can be assigned to any control number from 0-120,
or off. The MIDI Mate comes from the factory with the buttons assigned as shown above.
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Chameleon 2000

Chameleon 2000

Chameleon 2000
DSP Preamp w/ Effects

Preliminary Information

Built-in 24-bit Digital Effects
Effects Include: Delay, Chorus, Flanger, Phaser, Pitch Shift,
Tremolo, Reverb, Wah, Compression and more.
Features new DTR™ Technology (Digital Tube Replication)
HUSH® Noise Reduction
Internal MIDI Mapping
8-Parameter Continuous Control
Programmable Speaker Simulator w/parameters for Speaker Size,
MIC Placement and Reactance
Four separate gain channels: Clean, Texas, British, Mega

The new Chameleon 2000 is Rocktron’s most affordable DSP
preamp to date. Featuring the latest technology in Digital Tube Replication (DTR) for
incredibly convincing tube amp simulations. The preamp section is contrived of four
distinct channels labeled Clean, Texas, British, and Mega offer some of the most
sought-after guitar amp sounds ever available. Each channel was carefully constructed
using real Tube Amp DNA from some of the most popular amplifiers in history.

Channel 1 – Clean – features sound of very early
“Tweed-Style” amps with a big round bottom end
Channel 2 – Texas – features sounds of that tweed amps on ten
and then some
Channel 3 – British – features very popular “Plexi”
style rhythm tones with just enough gain and sparkle
Channel 4 – Mega – the name says is all. Gain, and tons of it.
Plenty of sustain, crunch, and overall girth and penetrating sonic momentum

A unique control for Variac simulation actually simulates an
amplifier plugged into a Variac to lower the voltage. This is an old trick used to get
tube amps to sound great at low volumes. Unfortunately, as well as this worked in the
world of tubes, it was also detrimental to the life of the amp. The Rocktron Variac
control is a safe way to get that same effect.
If things get a bit noisy due to mass amounts of gain, we
also included the our latest technology in HUSH noise reduction which eliminates the noise
without eliminating your sustain of defacing you precious tone.
The effects section was definitely designed with the guitar
player in mind. The Chameleon 2000’s effects include great “stomp box” style
effects such as Phasers, Flangers, Delay, Reverb, Tremolo, Pitch Shift, Compressor, Wah
and many more.
As well as becoming the heart of any live rig, the Chameleon
2000 makes an excellent studio companion with programmable Speaker Simulator. The built-in
Speaker Simulator features parameters for Speaker Size, MIC Position, and Reactance for
achieving the ultimate guitar tones straight to tape

MicroHUSH Stomp Box – Rocktron – Technology for Guitarists

MicroHUSH Stomp Box – Rocktron – Technology for Guitarists

800-388-4447

ProductsPreampsRack Effects & TunerControllersAmplificationStomp Boxes>Talk BoxesBoutique SeriesReaction SeriesClassic & Signature SeriesWah & Expression PedalsFloor ProcessorsSpeaker EnclosuresAccessoriesNewsArtistsPatchbaySupportDealers & DistributorsContactStore

MicroHUSH
Got hiss? Get HUSH! The MicroHUSH is Rocktron’s world famous HUSH noise reduction in a micro chassis that will take up less space on your pedalboard.

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With pedal board space at a premium these days, and smaller pedals in demand, Rocktron is pleased to provide the MicroHUSH to wipe out hiss, unwanted feedback and pickup buzz by providing up to 65dB of signal cleanup, while maintaining your music signal integrity. Guitar Player Magazine wrote that a “HUSH pedal will work for all guitar-related noise problems: it’s perfect” and “its potent noise-killing abilities will be fully appreciated.”Rocktron’s MicroHUSH pedal is built into a compact yet rugged chassis, minimizing the footprint it has on your pedal board. The MicroHUSH is a TRUE BYPASS pedal; when you turn it off, it is out of your signal path!Plug the MicroHUSH in AFTER distortion boxes, wahs, noisy vintage effects, or other noisy units and turn the THRESHOLD control knob until the noise goes away. It’s that easy! Unlike noise “gates” that chop off the end of your notes, or ruin your sustain, the MicroHUSH (and other Rocktron HUSH products) are actually a form of single-ended noise reduction that tracks your signal all the way and pushes the noise floor down below the point where your ear can hear the noise. The MicroHUSH will not alter your sustain or chop the end of your notes. Simply use the THRESHOLD knob to smooth out your signal while saying goodbye to noise forever!The MicroHUSH does not eliminate 60 cycle ground loop hum. If you are experiencing 60 cycle ground loop hum, we recommend the Rocktron Buzz Kill AC HUM Audio Isolation Transformer.The MicroHUSH requires a 9V DC power source (sold separately); we recommend the Rocktron DC OnTap Universal Power Supply adaptor. 

HUSH Demo Video with Gary Hoey

Specifications
Input Impedance: 470kΩOutput Impedance: 1kΩMaximum Input: +5dBuMaximum Output: +5dBuCurrent Consumption: 15mAPower Requirement: 9V DC OnTap Universal Power Supply (sold separately) is recommended. 2.1mm Jack Negative Tip/Positive BarrelDimensions: 3 5/8″ x 2 1/8″ x 2″; 92mm x 54mm x 48mmWeight: 5.3oz; 150g

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Banshee Talk Box

Banshee Talk Box

Banshee Amplified Talk Box

In a jam? Talk your way out of it with
Rocktron’s new Banshee Amplified Talk Box.
Bringing a cool, new twist to the outdated generation of
complicated and risky talk boxes, the Banshee is a unique new product that gives classic
rock touches to the 90’s players. Although “talk boxes” have been used in the
making of hit music (Aerosmith, Frampton, Joe Walsh, etc.) for years, many guitar players
simply do not try them because of their complicated and potentially damaging setup.
Leave it to the stomp box gurus at Rocktron. The Banshee
rocks, simply and safely.

What makes the Banshee so unique is that it contains its
own internal preamp, amplifier, and horn driver. You simply plug into your existing pedal
board and run the provided “tubing” up the mic stand and into your mouth. The
rest is up to your own imagination as you get the most incredible sounds from your
instrument. And no more risk of blowing up your favorite amp head, (always a possibility
with talk boxes of old).
The Banshee’s preamp section features controls for gain,
tone, and output level. A wide range of clean and dirty preamp tones may be dialed in with
plenty of saturation for those who desire lots of gain.
Not only does the Banshee scream in the talkbox mode, but
Rocktron has also included an extra jack for hookup with an extension pedal speaker.
Plugging a speaker cabinet to this output turns your pedal board into a perfect practice
setup with enough volume to do some pretty serious cranking!
Get your hands on the most unique product in years and let
your creative juices flow!

Rocktron MIDI Cable 7 Pin – Rocktron – Technology for Guitarists

Rocktron MIDI Cable 7 Pin – Rocktron – Technology for Guitarists

800-388-4447

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Rocktron MIDI Cable 7 Pin
Transfers MIDI commands from your MIDI footcontroller (with 7-PIN MIDI Out Jack) to any MIDI-controllable gear with 7-Pin MIDI input.

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Carries A/C power to your footcontroller. Plug either end of the 7-Pin MIDI cable into a MIDI input jack and the other end into the output of your MIDI footcontroller. Plug your footcontroller’s A/C adaptor into the receptacle on the back of your preamp, amplifier or effects unit marked “phantom power”. (Pins 6 and 7 of the MIDI cable will transfer power to your footcontroller). 30 foot length (900 cm)  Part number RMM900

Products

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